This is an unexpected visitor, originally uploaded by Stuck in Customs.
Out of all the photographers and photos that I find on Flickr Trey Ratcliffe’s (aka Stuck in Customs) are by far my favourite. Here’s just one more example of that.
This is an unexpected visitor, originally uploaded by Stuck in Customs.
Out of all the photographers and photos that I find on Flickr Trey Ratcliffe’s (aka Stuck in Customs) are by far my favourite. Here’s just one more example of that.
Finally, another human on this planet that does not think that Toni Morrison is the greatest writer alive. B.R. Myers writes of Morrison’s new novel A Mercy that:
How shallow and vague that is; how glibly it breezes through the life of the mind. A Mercy is eked out with a few set pieces, but even they rush us through; the book never seems to settle into narrative “real time.”
For all its cheerlessness, the novel is anything but grittily realistic. Some scenes, such as one in which a character gets out of her bath “aslide with wintergreen,” evince an effort to make even these miserable lives picturesque. But Morrison’s failure to evoke the period is more the fault of her all-too-contemporary prose style: “1682 and Virginia was still a mess.” No one likes an archaizer, apart from a million Cormac McCarthy fans, but a novelist writing of the 17th century should at least avoid language that is jarringly inconsistent or out of place. Reminiscing, the slaves vacillate between would-be-poetic English and an equally improbable sort of Hollywood Injun: “Shadows of men sat on barrels, then stood. They said they were told to break we in.” Anachronisms abound, from New Age lingo like “She gives off a bad feeling” to the dialect of the postbellum South: “her borning young.” We are even told that our Anglo-Dutch trader had “gone head to head with rich gentry.” What, and not drunk their milk shake?
For the one required class on campus Freshman year we were required to read Beloved which I found to be a self-indulgent and arrogant piece of literary crap. I have never been able to understand why Toni Morrison gets the praise that she does for her novels while other American writers simply get overshadowed.
Just when I thought I had read everything up on The Atlantic’s website right now I came across a wonderful piece by James Warren concerning the frighteningly increasing decline of newspapers and traditional print journalism. In it he writes that:
This matters because of the unique role journalism plays in a democracy. So much public information and official government knowledge depends on a private business model that is now failing. Journalism acknowledges and illuminates complexity, and at the same time prioritizes, helping us to evaluate the relative significance of developments playing out all around us. A very shrewd journalist-entrepreneur I know, Steve Brill, asks that one just imagine walking into a library and seeing the pages of all the books scattered on the floors and stairwells. To be sure, editors are human and subjectivity plays a role, but a newspaper places those pages—and thus the news—in some sensible order.
And, importantly, there’s a sense of social mission. Good journalism keeps public and private officials honest and helps citizens make thoughtful decisions. It does this by systematically gathering, processing, and checking relevant information, and by doing it with a spirit of independence. It’s how two previously unknown Washington Post reporters, Bob Woodward and Carl Bernstein, put together the Watergate puzzle that forced the 1974 resignation of President Richard Nixon.
While I do think that much of the problems that are currently inherent to print journalism have been self-created by the industry I nonetheless find it sad every time that I read about a newspaper laying off hundreds of workers. Like Warren says in his article the reality is that many of the most trafficked sites on the internet rely heavily upon newspapers for their content and reporting; were it not for newspapers I believe that some of the sites he lists (Huffington, etc.) would not have anywhere near the content they need for survival. As an addict of news and reading in general I find it personally sad that I would lose sources like the New York Times, LA Times, and Washington Post.
The next few years will certainly be interesting ones (and hopefully not too depressing of ones) for print journalism and I just really hope that at least some of the large print institutions survive and provide a model for others to follow in the rebuilding of newspapers.
In an article the The Atlantic Matthew Yglesias writes that:
Democrats no doubt see that more clearly today. Since 2006, when they won majorities in both the House and the Senate, their approval ratings have plummeted, in large part because moderates and liberals have noticed their inability to get much of anything done. House Speaker Nancy Pelosi tried to blame “the obstructionism of the Republicans,” but realistically, one can hardly blame Senate Republicans for obstructing legislation they oppose. The fault lies not with the obstructionists, but with the procedural rule that facilitates obstruction. In short, with the filibuster—a dubious tradition that encourages senators to act as spoilers rather than legislators, and that has locked the political system into semipermanent paralysis by ensuring that important decisions are endlessly deferred. It should be done away with.
In short, I agree with him here. Congressional leaders accomplish far too little during their years in office and I think that removing any incentive for them to delay legislation and become even more unproductive ought to be removed. In addition, we as a populous need to be more demanding of our congressmen (and women) and hold them accountable for not accomplishing anything.
Read the original Yglesias article (which is very good, and short for an Atlantic piece) here.